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Classical Guitar

June 26 - July 3

The TAP clas sical guitar program is an intensive one week camp for young gui­tarists of all levels com prising private lessons, sem inars and faculty and guest per for mances. The com pre hensive cur riculum pro vides for daily instruction in the areas of tech nique, fret board harmony, reper toire, musi cianship and pos­itive practice and per for mance habits. The ultimate goal is to help stu dents become con fident com petent per formers. Towards that end, all stu dents will have an oppor tunity to perform in the student showcase at the end of camp.

TAP Senior Camp

The TAP clas­sical guitar program is an intensive one week camp for young gui­tarists of all levels com­prising private lessons, sem­inars and faculty and guest per­for­mances. The com­pre­hensive cur­riculum pro­vides for daily instruction in the areas of tech­nique, fret­board harmony, reper­toire, musi­cianship and pos­itive practice and per­for­mance habits. The ultimate goal is to help stu­dents become con­fident com­petent per­formers. Towards that end, all stu­dents will have an oppor­tunity to perform in the student showcase at the end of camp.

Seminars

Technique
Begin with fun­da­mental right and left hand usage and progress to more advanced tech­niques including rasqueado, tremolo, long scales, slur and reach devel­opment exer­cises. Particular emphasis is placed on prac­tical examples found in the guitar lit­er­ature as well as advice on how to create your own exer­cises based on the par­ticular music you are studying.

Fretboard Harmony
Understand the com­plexity of the guitar fret board and become a more fluent reader. Beginning exer­cises focus on note and interval iden­ti­fi­cation and progress to applied harmony and chord voicing.

Repertoire
Get to know the core reper­toire of the guitar from the 18th, 19th and 20th cen­turies and learn a few of the latest com­po­si­tions being written for the guitar today. Etudes, concert works and chamber music will all be discussed.

Musicianship
Explore the craft of music making and develop your own expression by under­standing how music theory and con­ven­tions of style inform the deci­sions we make as artists. Students are encouraged to share examples of the music they are working on.

Positive Practice and Performance Habits
Learn how to practice most effi­ciently and effec­tively in order to perform with con­fi­dence the way pro­fes­sional musi­cians do.

Faculty

Dr. Kostelnik (Head of Classical Guitar Program)

Praised by Soundboard mag­azine for his lyrical playing and remarkable coun­ter­point, Steve Kostelnik has been a concert artist and teacher for more than 20 years. He has won top honors at several important com­pe­ti­tions including the Naxos Prize at the Guitar Foundation of America International Guitar Competition, First Prize at the Music Teachers National Association Wurlitzer Collegiate Artist Competition, and First Prize at the Southwest Festival Guitar Competition. His highly acclaimed debut recording Steve Kostelnik Guitar Recital was released on the Naxos label in 1999.

Dr. Kostelnik is pro­fessor of guitar at Southwestern University in Georgetown, Texas, and main­tains a thriving private studio in Austin, Texas. Dr. Kostelnik’s stu­dents have earned top honors in several national and inter­na­tional com­pe­ti­tions and have been offered pres­ti­gious schol­ar­ships to study at insti­tu­tions such as The San Francisco Conservatory of Music, The University of Southern California, and The New England School of Music.

Dr. Kostelnik earned a Bachelor of Music degree from Southwest Texas State University, and the degrees of Master of Music and Doctor of Musical Arts from The University of Texas at Austin where he studied with Adam Holzman.

Dr. Matthew Hinsley (Guitar Instructor)

Dr. Hinsley’s teaching approach for young people has come to focus on several pri­or­ities: expressive musi­cianship from the very first notes, careful tech­nical sequencing, and the highest stan­dards for tech­nical mastery at all levels.

Dr. Hinsley’s private studio has already pro­duced some of America’s leading young talent on the clas­sical guitar including stu­dents who win national and inter­na­tional com­pe­ti­tions and perform in major venues.

Recently one of Hinsley’s young stu­dents was selected to perform on the _From The Top_ radio show for which he played in front of an audience of 1300 in Bethesda, Maryland. Hinsley is one of only two teachers worldwide who has had stu­dents three-times advance to the final round of the youth division of the pres­ti­gious _Guitar Foundation of America International Competition_, including the winner of the com­pe­tition in 2006. In recent years Hinsley’s private stu­dents have advanced to the semi­final and final rounds of the American String Teachers Association National Solo String Competition, the Guitar Foundation of America International Competition, the Christopher Parkening International Competition and many other regional, national and inter­na­tional com­pe­ti­tions for young people.